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<channel>
	<title>Mantas</title>
	<link>https://mantas.work</link>
	<description>Mantas</description>
	<pubDate>Sun, 28 Mar 2021 20:49:15 +0000</pubDate>
	<generator>https://mantas.work</generator>
	<language>en</language>
	
		
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		<title>Work</title>
				
		<link>https://mantas.work/Work</link>

		<pubDate>Tue, 09 Jan 2018 16:56:39 +0000</pubDate>

		<dc:creator>Mantas</dc:creator>

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		<title>Call of Duty: Black Ops Cold War</title>
				
		<link>https://mantas.work/Call-of-Duty-Black-Ops-Cold-War</link>

		<pubDate>Sun, 28 Mar 2021 20:49:15 +0000</pubDate>

		<dc:creator>Mantas</dc:creator>

		<guid isPermaLink="true">https://mantas.work/Call-of-Duty-Black-Ops-Cold-War</guid>

		<description>
	Call of Duty Black Ops Cold War

As a Creative Director, I had a unique opportunity to lead an incredibly talented team at Spov. Over more than a year-long engagement, we crafted 27 cinematic sequences for Activision's Call of Duty Black Ops Cold War.
Project case study
	










	Client: ActivisionStudio: Spov






	

Creative Directors

Mantas Grigaitis
Agnes Kasilovska

	



Head of Production
Jasmine Christmas


Director of Operations
Jacqueline Clarke





	

Lead 3D Supervisor
Florian Thamer



	


Art Direction
Mantas Grigaitis and Dave Penn




	

3D TeamJulio Dean, Roger Chiaw, James Brocklebank, Ferdinando Spagnolo, Lisander Qorri, Batu Cologlu, Jon Yeo, Matt Polechoński, Helder Ferreira, Ryan Close


	

2D TeamSimon Staines, Samantha Thompson, Sean McNulty, Thomas Pircher, Chris Sayer, Jason PickthallCompositing: Luíz Afonso Mota, Danit Klibansky, David Mir


	

CompositingLuíz Afonso Mota, Danit Klibansky, David Mir


	Archivist
Jen Owen

	

Production TeamDidem Bayrak, Tim Rabjohns, Valentina König


	Research Team
Martynas Stoskus, Vincent Kane, Steve Bergson, Gerry Healy, Alexey Kormilitsyn
	Development Team
Gordon Spurs, Keko Ahmed, Julian Harding, Kieran Gee Finch, Craig Herd
	

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		<title>Rainbow Six Siege Pro League</title>
				
		<link>https://mantas.work/Rainbow-Six-Siege-Pro-League</link>

		<pubDate>Sun, 28 Mar 2021 13:48:23 +0000</pubDate>

		<dc:creator>Mantas</dc:creator>

		<guid isPermaLink="true">https://mantas.work/Rainbow-Six-Siege-Pro-League</guid>

		<description>&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/3260d8de61a2bb537688975954f40df870e62e49d23310fc5a4b29317fda520b/Mantas-Grigaitis-Rainbow-Six-Siege-Pro-League-Milan-ThatcherBack.jpg" data-mid="103534223" border="0"  src="https://freight.cargo.site/w/1000/i/3260d8de61a2bb537688975954f40df870e62e49d23310fc5a4b29317fda520b/Mantas-Grigaitis-Rainbow-Six-Siege-Pro-League-Milan-ThatcherBack.jpg" /&#62;
 
	Rainbow Six Siege Pro League













I was approached by Fire Without Smoke to design the look for Rainbow Six Siege Pro League trailer, promoting an event in Milan. We picked operators favoured by pro players: Clash and Thatcher. Drawing inspiration from the famous all-white Palazzo Del Ghiaccio venue, they were presented as marble sculptures frozen mid-fight, just before the impact.

	
	

Client: UbisoftAgency: Fire Without SmokeProducer: Stephen AssockDesign Lead: Mantas GrigaitisAdditional modeling: Giuseppe Bufalo



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	<item>
		<title>Ghost In The Shell</title>
				
		<link>https://mantas.work/Ghost-In-The-Shell</link>

		<pubDate>Tue, 20 Feb 2018 16:01:10 +0000</pubDate>

		<dc:creator>Mantas</dc:creator>

		<guid isPermaLink="true">https://mantas.work/Ghost-In-The-Shell</guid>

		<description>&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f487af0fbe0fdeb1df418109983de848bb7f7d42c1206effc366cf76446d6f9e/ghost-in-the-shell-005.jpg" data-mid="11597463" border="0"  src="https://freight.cargo.site/w/1000/i/f487af0fbe0fdeb1df418109983de848bb7f7d42c1206effc366cf76446d6f9e/ghost-in-the-shell-005.jpg" /&#62;Ghost In The Shell



As a part of the team at Territory Studio I got to design and animate a set of 3D holograms for the new Ghost In The Shell film. 'Solograms' as they are known in the movie were used as advertisements, shop fronts and signs to augment the futuristic cityscape and streets.

Working closely with production we made sure that the objects we create are in line with the greater narrative of the new GITS world and were supportive of the main story.Client: Paramount Pictures and DreamWorks Pictures

Design and Animation: Mantas Grigaitis

Design Studio: Territory Studio

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	<item>
		<title>Titanfall 2</title>
				
		<link>https://mantas.work/Titanfall-2</link>

		<pubDate>Fri, 12 Jan 2018 17:59:34 +0000</pubDate>

		<dc:creator>Mantas</dc:creator>

		<guid isPermaLink="true">https://mantas.work/Titanfall-2</guid>

		<description>Titanfall 2 Cinematics












Working at Spov I helped to create a set of in-game cinematics for Respawn's Titanfall 2. As the player progresses through the game six titans are unlocked. Every titan's unique ability and weapon are presented in six short films set in unique minimal environments.





Client: Respawn Entertainment

Producer: Emma Middlemiss

Design Lead: Miles Christensen

Design and Animation: Mantas Grigaitis, Julio Dean, Adam Roche, James Brocklbank

Character Animation: Rachel Chu, Fabiana Ciatti, Marco Gifuni

Design Studio: Spov
</description>
		
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	<item>
		<title>Homefront: The Revolution</title>
				
		<link>https://mantas.work/Homefront-The-Revolution</link>

		<pubDate>Wed, 10 Jan 2018 01:02:28 +0000</pubDate>

		<dc:creator>Mantas</dc:creator>

		<guid isPermaLink="true">https://mantas.work/Homefront-The-Revolution</guid>

		<description>
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 Homefront: The Revolution — Apex Corporation Devices













I was approached by Fire Without Smoke to design a fictional line up of electronic devices and other backstory material for the main villain in Homefront The Revolution — Apex Corporation.

Fire Without Smoke was building a vast and believable backstory for the game in which North Korea was the birthplace of modern technological progress. The corporation needed a line up of easily recognisable breakthrough devices to mark key milestones in its development.

The resulting designs are a reinterpretation of iconic devices with unique Apex flavour of angular features and colour palette specific to its corporate brand.

























Scroll down to travel through time.Client: Deep Silver/Dambusters

Agency: Fire Without Smoke

Concept and Design: Mantas Grigaitis

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	</item>
		
		
	<item>
		<title>UKGFF</title>
				
		<link>https://mantas.work/UKGFF</link>

		<pubDate>Tue, 09 Jan 2018 16:57:48 +0000</pubDate>

		<dc:creator>Mantas</dc:creator>

		<guid isPermaLink="true">https://mantas.work/UKGFF</guid>

		<description>UKGFF



Opening animation for UK Green Film Festival screenings.Image: Mantas Grigaitis

Sound: Münpauzn
</description>
		
	</item>
		
		
	<item>
		<title>Tom Clancy's The Division</title>
				
		<link>https://mantas.work/Tom-Clancy-s-The-Division</link>

		<pubDate>Fri, 12 Jan 2018 18:16:57 +0000</pubDate>

		<dc:creator>Mantas</dc:creator>

		<guid isPermaLink="true">https://mantas.work/Tom-Clancy-s-The-Division</guid>

		<description>
Tom Clancy's The Division Opening Cinematic












Working at Spov I helped to deliver the intro cinematic for The Division — a vast open-world game from Massive Entertainment and Ubisoft. Before players start their journey, they are presented with a short and intense film that shows the outbreak of a deadly virus and the chaos that devastated New York and brought it to a complete lockdown.





Client: Ubisoft/Massive Entertainment

Director: Chris Boyle

Producers: Helen Power, Emma Middlemiss

Design and Animation: Mantas Grigaitis, Julio Dean, Adam Roche, Kieran Gee-Finch, Haz Dulull, Chris Boyle

Design and Animation Company: Spov

Live Action: Nick Wood / STK Studio
</description>
		
	</item>
		
		
	<item>
		<title>Soundings</title>
				
		<link>https://mantas.work/Soundings</link>

		<pubDate>Thu, 11 Jan 2018 10:35:24 +0000</pubDate>

		<dc:creator>Mantas</dc:creator>

		<guid isPermaLink="true">https://mantas.work/Soundings</guid>

		<description>










Soundings Visuals












A set of visuals that has accompanied a live performance by a group of
experimental sound artists at MkII gallery in London.






	

Image: Mantas Grigaitis, Agne Kasilovska</description>
		
	</item>
		
		
	<item>
		<title>Call of Duty: Advanced Warfare</title>
				
		<link>https://mantas.work/Call-of-Duty-Advanced-Warfare</link>

		<pubDate>Mon, 15 Jan 2018 12:03:35 +0000</pubDate>

		<dc:creator>Mantas</dc:creator>

		<guid isPermaLink="true">https://mantas.work/Call-of-Duty-Advanced-Warfare</guid>

		<description>



Call of Duty: Advanced Warfare Screen Graphics


Joining the team at Spov I helped to produce a set of in-game cinematics and screen graphics for Call of Duty: Advanced Warfare. Narrative motion graphics pieces were integrated with CG environments produced by Digic Pictures to help deliver information dense plot of the game.

Client: Activision/Sledgehammer Games

Producer: Emma Middlemiss

Design Lead: Miles Christensen

Design and Animation: Mantas Grigaitis, Paul Hunt, Kieran Gee-Finch, Andrea Braga, Ryan Hays, Adam Roche, Ian Jones

Graphic Design: Khairul Ahmed

Design Studio: Spov

CGI Studio: Digic Pictures








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